It's been awhile since I've posted here and Blogger, like everything else in GoogleWorld, is going through some changes. Which I'll be happy to learn, just on the other side of my Really Big Art Show in Birmingham, AL, next week.
Like so many other things, this must queue up with the rest of my life because the days left before I depart for the show belong to production, booth tweaking, organizing/packing, getting the van road-ready, planning my food for the weekend away and a million other things.
I've been too busy producing new works to even upload much to my Etsy shop. But I thought you might like a peek at a few things I've made.
Magic City Art Connection is my all-time favorite art show. They just do everything right. Especially considering that it's an extremely urban show. Downtown in Linn Park, the art show is ringed with wonderful buildings including an historic library.
The show begins Friday, April 27, and runs through Sunday, April 29. I'll be in Booth #375, near the library.
Meanwhile? Back into the studio for me!
When I try to make more earrings, pendants keep popping out. I guess my Muse is living in the pendants-to-be right now!
Pictures here: (Top) Pendant: Senoran Dendritic Picture Rhyolite, triangular, set in fine silver bezel onto a bronze backplate with curved self-bail.
(Bottom) Earrings: Dendritic Landscape Jasper, triangular, set in fine silver on textured bronze backplates, with forged sterling bails and handmade sterling earwires.
Both are available in my Etsy shop!
Friday, April 20, 2012
Sunday, March 25, 2012
An Interesting Thing Happened on the Way Home from the Art Show...
Most of you know I’ve spent the weekend in Jacksonville, participating in an art show there. On my way home this evening, I was starving and out of my diet’s foods and decided that plain scrambled eggs would suit me for dinner. Spotting a Waffle House in Maclenny, slightly west of Jax, I pulled in, eager for my first non-veggie meal in two weeks.
When I pulled into the restaurant’s parking lot, I noticed the plumpest Harley Davidson rider I’ve ever seen, just dismounting his bike and gathering things together to go in. I parked and rummaged around for the Mrs. Dash and garlic powder I’ve begun carrying with me. An excellent, fool-the-tongue mixture of salt-free condiments, I carried them to the door with me. Whereupon I found, waiting there the Harley gentleman holding the door open for me. I thanked him and rushed in, eager to find a table and eat. Having just done an arduous 2-day show on my cleanse diet, I was very hungry (and very tired of the pre-cooked meals I’d carried to my hotel with me, and of the salads I’d subsisted on for two whole days in the show – along with great antioxidant drinks, of course).
.........................................................
I've illustrated this post with two new pieces I've made for my Etsy shop and spring art shows. The top one is my newest Trapezoid Necklace with copper and Imperial Jasper. The bottom piece is a trapezoid-shaped Charoite cabochon set onto textured bronze. You can learn more about then in my Etsy shop, by clicking my slide show link on the right.
Thursday, March 15, 2012
Behind the Music... er... the jewelry glamour shots!
I'm relatively new to photography, never having been a shutterbug before. I always relied on others to take the snapshot while I just enjoyed the view. But, when I opened my own Etsy shop and Facebook fan page about a year ago, I was suddenly thrust into a new world where taking competent product pics is an everyday norm.
At first I panicked and then I called my fomer business partner and best buddy, Sharri. She'd always taken the pics for the gallery when it was open.
Oh, I'd struggled through helping her, but was seriously frustrated with the process while she leapt ahead and became a great photographer.
So when my online shop opened, it was Sharri who took my first shots, just so I could open!
It was immediately obvious to both of us that this arrangement was unsustainable. An artist selling on Etsy had better figure out how to shoot product pics! So, off I went to the store to buy a camera as similar to the one Sharri owned as possible. (It had been the gallery's and so I had the teeniest working knowledge of how it, a Nikon CoolPix worked.)
I had no idea what I was doing when I bought it. Not what to look for. Not what I should pay. I did know I needed a pretty strong memory card and a tripod to go with it. But that's about it.
So I brought it home and struggled with it. I took truly horrible pics! And reconfirmed my theory that photography is a different art form than jewelry making, and better left to the photography artists who knew what they were doing, and counted on that for their living.
If only. Of course, a beginning Etsy artist has no budget for professional photography. Hence, the camera in my hand. So I leaned over the tripod and squinted into the EZ Light Cube and still took horrible shots.
Sharri was my best critic, always giving me hope and pulling me forward. As her own photography improved in leaps and bounds, she again took some shots of my work mixed with hers and I began to realize how wonderful my jewelry could look in pics online.
Her encouragement to move my work to a white background and to actually locate the 'white balance' in my camera brought my shots into a greater, happier focus. Her suggestion that I begin to shoot outside (more palatable in the winter than summer in north Florida!) was something I finally took seriously. And, voila! Suddenly I was much more of a product photographer.
Working with my little camera, I began to gain the muscle memory that comes with getting familiar with a tool. I grew more daring and quit using the tripod most of the time. I reserved the Light Cube only for night or rainy day photos. I experimented with just laying my work on my computer desk to record the day's produce for my fan page.
My Etsy shop began to lighten up and grow more focused, my jewelry more magical looking. And this is a great thing, because my little business depends so much upon it!
.....................................................................................
The top photo is the whole, uncropped pic I took knowing I would crop down to the pendant on the white necklace display. When I began to edit the photo, I found the whole image interesting and it inspired this blog post.
This was a moment in today's photo session, right outside my back door. The rusty old metal patio table has an interesting rust pattern as the paint crawls off of it yet again. The pretty metal/stone pendants look like dancers waiting in the wings for their moment in the spotlight. It's just such a vivid little moment captured unexpectedly!
The bottom photo is one taken by Sharri for our art show at Barbara Psimas' Midtown studio last December. It was the inspiration for me to finally get serious about this photography thing and take good shots. That's my Asian-influenced pendant standing in the background (sold to a wonderful customer in California last December!) and Sharri's memory wire bracelet featuring her renowned beaded beads. The props are wood beads she sells in her Etsy shop.
Sharri's shop on Etsy is called TheBeadedBead. You can find it here: http://www.etsy.com/shop/TheBeadedBead?ref=ss_profile
She also has a fan page on Etsy: The Beaded Bead by Sharri Moroshok. See her work, and her wonderful photography in both locations!
At first I panicked and then I called my fomer business partner and best buddy, Sharri. She'd always taken the pics for the gallery when it was open.
Oh, I'd struggled through helping her, but was seriously frustrated with the process while she leapt ahead and became a great photographer.
So when my online shop opened, it was Sharri who took my first shots, just so I could open!
It was immediately obvious to both of us that this arrangement was unsustainable. An artist selling on Etsy had better figure out how to shoot product pics! So, off I went to the store to buy a camera as similar to the one Sharri owned as possible. (It had been the gallery's and so I had the teeniest working knowledge of how it, a Nikon CoolPix worked.)
I had no idea what I was doing when I bought it. Not what to look for. Not what I should pay. I did know I needed a pretty strong memory card and a tripod to go with it. But that's about it.
So I brought it home and struggled with it. I took truly horrible pics! And reconfirmed my theory that photography is a different art form than jewelry making, and better left to the photography artists who knew what they were doing, and counted on that for their living.
If only. Of course, a beginning Etsy artist has no budget for professional photography. Hence, the camera in my hand. So I leaned over the tripod and squinted into the EZ Light Cube and still took horrible shots.
Sharri was my best critic, always giving me hope and pulling me forward. As her own photography improved in leaps and bounds, she again took some shots of my work mixed with hers and I began to realize how wonderful my jewelry could look in pics online.
Her encouragement to move my work to a white background and to actually locate the 'white balance' in my camera brought my shots into a greater, happier focus. Her suggestion that I begin to shoot outside (more palatable in the winter than summer in north Florida!) was something I finally took seriously. And, voila! Suddenly I was much more of a product photographer.
Working with my little camera, I began to gain the muscle memory that comes with getting familiar with a tool. I grew more daring and quit using the tripod most of the time. I reserved the Light Cube only for night or rainy day photos. I experimented with just laying my work on my computer desk to record the day's produce for my fan page.
My Etsy shop began to lighten up and grow more focused, my jewelry more magical looking. And this is a great thing, because my little business depends so much upon it!
.....................................................................................
The top photo is the whole, uncropped pic I took knowing I would crop down to the pendant on the white necklace display. When I began to edit the photo, I found the whole image interesting and it inspired this blog post.
This was a moment in today's photo session, right outside my back door. The rusty old metal patio table has an interesting rust pattern as the paint crawls off of it yet again. The pretty metal/stone pendants look like dancers waiting in the wings for their moment in the spotlight. It's just such a vivid little moment captured unexpectedly!
The bottom photo is one taken by Sharri for our art show at Barbara Psimas' Midtown studio last December. It was the inspiration for me to finally get serious about this photography thing and take good shots. That's my Asian-influenced pendant standing in the background (sold to a wonderful customer in California last December!) and Sharri's memory wire bracelet featuring her renowned beaded beads. The props are wood beads she sells in her Etsy shop.
Sharri's shop on Etsy is called TheBeadedBead. You can find it here: http://www.etsy.com/shop/TheBeadedBead?ref=ss_profile
She also has a fan page on Etsy: The Beaded Bead by Sharri Moroshok. See her work, and her wonderful photography in both locations!
Tuesday, March 13, 2012
Goin' green (on the inside, too!)...
Reaching the end of my 50s, I've reached a fork in the road. I can continue the too-busy/too-tired lifestyle I've had for a long time, or I can take the other fork and find my way to better health and vigor with which to greet my seventh(!!!!!!) decade. I turned 59 yesterday, and though I am young at heart and still experience great joie de vivre, my physical vehicle knows I'm no longer young and is rebelling a bit.
Recently, two very healthy friends reached age 60 and extreme things happened to their health. Who knows what treachery lies ahead? I'd come to feel it certainly would, if I failed to make some changes.
About a month ago, I dropped by a fellow local artist's studio/gallery to talk about doing some business. Always a pretty woman, I could not believe the sparkle-dazzle (and the weight loss) I saw on her.
Wondering if she'd had a super-spa holiday and perhaps some 'nip-tuck,' I was quickly informed that these were the results of a deep, intensive 'cleanse diet,' and that a new class was about to start.
Mentally quoting that famous line from 'When Harry Met Sally,' I muttered: "I want what she's having" to myself and decided I would plunge into the program and see what would happen to me.
The leader of the program held an in-take meeting a whole week before we were to begin the eating regime. This allowed me to take a quick business trip with my husband and to celebrate my birthday before radically altering what I am to eat and drink. But, the birthday is now behind me and Day One of the regime has arrived.
And, I'm happy to report, so far, I'm feeling great. I actually do like the beet/veggie soup I made in advance. And I actually like the 'green' antioxidant drink I sip on, too. I have great expectations that soon some weight will drop and my skin will be radiant. At the very least, I think I'll beat back some of those encroaching 'old people' problems that were knocking at my door.
If all goes well, this will be a great 60th year, before I actually turn 60. It's a personal New Year's for me. One filled with hope and resolution. One anticipating greater energy and concentration. And one in which, in a teeny-tiny way, I get to put myself first.
...............................................................................
Pictured above is my Owyhee and Bronze Pendant, which has been sold. But I love how it turned out and how photogenic it is. I'm busy making other stone and bronze/sterling pendants and as they are readied, they are available in my Etsy shop. Follow the slide show of my Etsy shop at the right side of my blog page to see everything there!
Recently, two very healthy friends reached age 60 and extreme things happened to their health. Who knows what treachery lies ahead? I'd come to feel it certainly would, if I failed to make some changes.
About a month ago, I dropped by a fellow local artist's studio/gallery to talk about doing some business. Always a pretty woman, I could not believe the sparkle-dazzle (and the weight loss) I saw on her.
Wondering if she'd had a super-spa holiday and perhaps some 'nip-tuck,' I was quickly informed that these were the results of a deep, intensive 'cleanse diet,' and that a new class was about to start.
Mentally quoting that famous line from 'When Harry Met Sally,' I muttered: "I want what she's having" to myself and decided I would plunge into the program and see what would happen to me.
The leader of the program held an in-take meeting a whole week before we were to begin the eating regime. This allowed me to take a quick business trip with my husband and to celebrate my birthday before radically altering what I am to eat and drink. But, the birthday is now behind me and Day One of the regime has arrived.
And, I'm happy to report, so far, I'm feeling great. I actually do like the beet/veggie soup I made in advance. And I actually like the 'green' antioxidant drink I sip on, too. I have great expectations that soon some weight will drop and my skin will be radiant. At the very least, I think I'll beat back some of those encroaching 'old people' problems that were knocking at my door.
If all goes well, this will be a great 60th year, before I actually turn 60. It's a personal New Year's for me. One filled with hope and resolution. One anticipating greater energy and concentration. And one in which, in a teeny-tiny way, I get to put myself first.
...............................................................................
Pictured above is my Owyhee and Bronze Pendant, which has been sold. But I love how it turned out and how photogenic it is. I'm busy making other stone and bronze/sterling pendants and as they are readied, they are available in my Etsy shop. Follow the slide show of my Etsy shop at the right side of my blog page to see everything there!
Saturday, March 3, 2012
Stormy day in north Florida and the Southeast U.S.
We have stormy weather all around us. A very dynamic storm system is lodged to the west and north of us, in a diagonal line that's drawing moisture from the Gulf into the storm. The good news for us is that while this is occurring, so far the system itself is staying to the west. If it begins to drift eastward, things will change here.
I'm keeping my fellow Southeasterners in my heart and prayers this day. The Weather Channel promises it will be a long one and that these storms will not be over soon. And am also keeping those in Kentucky and Indiana in my heart and prayers, too. For the worst has happened to some of them, already.
It's always interesting, when I fear that Dooms Day may be approaching my home, to figure out what things to take into our safe place. I grab critical papers, my laptop and cell phone, my dog's critical things, my pillows, some First Aid... and then I look at my collection of studio tools (the fruits and acquistions of my life's work, gained painfully sometimes -- and critical to the future of my jewelry career) and try to think of what is absolutely core to the survival of my jewelry making.
My entire pliers collection and wire cutters, favorite hammers, raw materials and finished jewelry. This time I grabbed my scrap pile, because the silver has value. With two art shows looming in the near future, I would not have time to rebuild my inventory, should I lose my working studio.
This is when I get in touch with how tools and materials are the future for me. Insurance on the house would cover everything else, should it be lost. But my studio, since it's not specially insured, would not be. And this is also when I'm reminded that I need to scan in old family and childhood photos and store them in 'the cloud.' (If ever I didn't feel too busy...)
But mosty I get in touch with the treachery of stormy weather in this region and how vulnerable we and our materials things are.
Photo of Glen and me on the Blue Ridge Parkway in North Carolina, in the mid 1990s! One of the few pics I've scanned in so far.
I'm keeping my fellow Southeasterners in my heart and prayers this day. The Weather Channel promises it will be a long one and that these storms will not be over soon. And am also keeping those in Kentucky and Indiana in my heart and prayers, too. For the worst has happened to some of them, already.
It's always interesting, when I fear that Dooms Day may be approaching my home, to figure out what things to take into our safe place. I grab critical papers, my laptop and cell phone, my dog's critical things, my pillows, some First Aid... and then I look at my collection of studio tools (the fruits and acquistions of my life's work, gained painfully sometimes -- and critical to the future of my jewelry career) and try to think of what is absolutely core to the survival of my jewelry making.
My entire pliers collection and wire cutters, favorite hammers, raw materials and finished jewelry. This time I grabbed my scrap pile, because the silver has value. With two art shows looming in the near future, I would not have time to rebuild my inventory, should I lose my working studio.
This is when I get in touch with how tools and materials are the future for me. Insurance on the house would cover everything else, should it be lost. But my studio, since it's not specially insured, would not be. And this is also when I'm reminded that I need to scan in old family and childhood photos and store them in 'the cloud.' (If ever I didn't feel too busy...)
But mosty I get in touch with the treachery of stormy weather in this region and how vulnerable we and our materials things are.
Photo of Glen and me on the Blue Ridge Parkway in North Carolina, in the mid 1990s! One of the few pics I've scanned in so far.
Tuesday, February 21, 2012
Since I last posted, I've acquired a rolling mill. I've been experimenting with it and letting it lead me into new textures and new directions. My first efforts with it are pretty simple... you might say minimalist.
Here's a sample of this new work: Minimalist Textured Earrings in bronze. Their subtle mesh texture is almost too fine to see in a photo, but their heat patina is vivid.
They are soldered to their handmade sterling earwires via spiral swirls at the end of the wires.
And they are asymmetrical, but complementary and balanced.
I was so happy to find these earrings featured in a beautiful jewelry blog called Silver Lines Jewelry, whose editor lives in Greece. Despite these tumultous times, Jenny produces her own beautiful jewelry, many Etsy treasuries, and her own blog. She is also a knitter.
To read her blog, please go to this link:
http://silverlinesjewelry.blogspot.com/2012/02/wish-list-rustic-finds.html
And to see more details about these, please visit them in my Etsy shop:
http://www.etsy.com/listing/93448824/asymmetrical-minimalist-leaf-earrings-in
Here's a sample of this new work: Minimalist Textured Earrings in bronze. Their subtle mesh texture is almost too fine to see in a photo, but their heat patina is vivid.
They are soldered to their handmade sterling earwires via spiral swirls at the end of the wires.
And they are asymmetrical, but complementary and balanced.
I was so happy to find these earrings featured in a beautiful jewelry blog called Silver Lines Jewelry, whose editor lives in Greece. Despite these tumultous times, Jenny produces her own beautiful jewelry, many Etsy treasuries, and her own blog. She is also a knitter.
To read her blog, please go to this link:
http://silverlinesjewelry.blogspot.com/2012/02/wish-list-rustic-finds.html
And to see more details about these, please visit them in my Etsy shop:
http://www.etsy.com/listing/93448824/asymmetrical-minimalist-leaf-earrings-in
Monday, January 23, 2012
Two Extraordinary Necklaces Are Born: A Collaboration with Kelly Clitheroe and Me...
written by Tana McLane
photography by Kelly Clitheroe & Tana McLane
In the summer/fall of 2011, Kelly Clitheroe and I bumped into each other on Facebook. We had metalsmith friends in common and we began to banter about smithing and math and all sorts of things. She tuned in on my Trapezoid series and I made an offhand comment about being no good at math. She took great umbrage at this comment and challenged me to see that I'm more capable at math than I give myself credit for. You see, she's also a math teacher. She also lives in Australia. And we've also never actually met each other face-to-face.
Nevertheless, we chatter online nearly every day. This is a wonderful phenomon of social networking. You find your tribe, your peeps, your kindred spirits. Those who 'get' what you're thinking about and what you create. And those who can support your creativity in unique ways.
In a competitive business world, metalsmiths help each other. We share technical and technological information. And we sometimes collaborate.
Kelly got this collaboration rolling when she asked if she could buy my handmade bronze and silver leaves to use in her own work.
I thought about this for about five minutes and realized I didn't want her to buy my leaves, but to use my leaves for a necklace that would bring both of our design ideas together in one piece that neither of us would have produced without the other.
This photo shows Kelly's original thinking about the design of the Bronze Eucalyptus Leaf/Baeckea Blossom necklace. The leaves in this mock-up were cut from colored paper. It reveals Kelly's ideas for an asymmetrical design that would also use large and small rings and maille-versions of the baeckea blossom to link the leaves together.
The long-leafed eucalyptus tree grows in Australia and in Tampa, Florida, my girlhood home! And the baeckea blossom is in the same family with eucalyptus. So the necklaces are not only a collaboration between two artists, but a joining of two homelands.
I was eager to see what another artist would do with my leaves. I've been entralled with Kelly's chainmaille design work. Her work offers originality and departures from typical maille design and has a sense of fun thrown in.
As I thought some more, I came up with the idea of fabricating enough leaves for two necklaces: one that she could keep and one that I'd get back. I'd make the leaves and pay for shipping to her. She'd construct the necklaces and pay for the shipping of one of them back to me. This is exactly what we have done.
This photo shows an organic baeckea blossom and the chain maille version. The living version is a 5-petal blossom, but Kelly chose to use a 6-petal maille version. She also chose to use rosy/bronzey-colored titanium jumprings mixed with sterling jumprings to suggest the color of the natural flower.
There are five bronze eucalyptus leaves in the necklace design, and four baeckea maille blossoms.
Closeup shot of Kelly's chain maille elements, depicting two baeckea blossoms and joining maille rings of different sizes.
The holiday season bore down upon us and both of us were busy making jewelry for holiday shopping. We sold online and in local markets. The fabrication of the bronze leaves had to wait until after Christmas, and then I got to work.
This is the eucalyptus leaf that both Kelly and I are familiar with. She found this on Wikipedia. When I was a child in Tampa, our large eucalyptus tree was my water dragon and I climbed all over it. I'd crush its leaves in my hands and smell that marvelous eucalyptus smell and pretend it was 'medicine' and that I could treat the ill and injured with.
Interestingly, the Tampa of my childhood had several trees in common with Australia. I grew up on Davis Islands in Tampa Bay and in my youth it was fringed with the Australian Pine. Sadly, these froze back permanently during the 1960s. We were also awash in 'Punk Trees,' which we now know as the maleluca, a troublesome invasive in the wrong environment. And then there is the beloved eucalyptus. We decided that the leaves in our necklaces should be shaped somewhat like this.
Here are the ten bronze leaves, cut out, sanded down, and annealed on my Solderite pad. Annealing is the process by which you heat metal with the flame of a torch (in my case, acetylene torch) just enough to soften the metal. I do this to make it easier to hand stamp designs into the surface of the metal. (Please excuse how messy my soldering station is in this photo... this was at the end of a very busy holiday production season!)
Bronze is a metal I added to my group of metals in 2011. Similar to copper and brass, it does behave little differently upon heating and finishing. I love its deep patina glow and its contrast with silver. Bronze is traditionally an alloy requiring 88% copper and 12% tin. During the Bronze Age, tin became hard to acquire and then iron became the more available industrial metal. Today, bronze for jewelers can be formulated at 80/20 or 90/10, as well as at 88/12.
Here are the ten finished bronze and sterling leaves! Two sets of five, each set's leaves have the same stamped surface pattern. One set's stampings are a little larger than the other's.
I used bold sterling wire to form the center vein in the leaves. This vein extends out beyond each end of the leaf, creating spirals which Kelly then uses for linking to maille jumprings.
The leaves have a beautiful bronzey patina glow from my torch and polishing. Then they were tumbled in steel shot to work-harden the sterling and to make all surfaces satiny-smooth.
Another closeup of chain maille elements in the necklaces. Jumprings, large and small, join the bronze leaves, dark freshwater pearl and baeckea blossom to one another.
I shipped the finished leaves to Australia and then Kelly began to construct the necklaces. This process seemed to go surprisingly fast, and within a short time she was posting photos of each necklace back to me.
Two finished necklaces! Kelly took this photo when they were complete. The design is revealed.
The necklaces close with my sterling spiral clasps, which you can see at the backs.
With minor differences from the mock-up, the asymmetrical compostion of the necklaces is maintained. Kelly added dark freshwater pearls. One dangles at the bottom of the lower leaves and the other is linked into the necklaces.
She also chose maille jumprings of various sizes. With the four baeckea blossoms and five eucalyptus leaves, a charming, eclectic effect is achieved.
A moment of sunshine peeked out on a gloomy day after my necklace arrived in the mail and I rushed outside with white paper, my camera and my necklace, to get this shot.
Kelly modelling one of the necklaces. Isn't it beautiful on her?
The drape of the necklace, despite of or because of its asymmetry is just so wonderful. Comfortable, too.
Baeckea blossoms of both necklaces in one shot. The single blossom at the top of the image has titanium jumprings of a pinker cast than the two at the bottom of the image, which are a warmer color. Slight differences between the two necklaces are the colors of the titanium, the hue of the dark pearls and the stamped patterns on the leaves.
One of the shots I used in my Etsy listing, on a contoured necklace display.
The listing in my online Etsy shop:
http://www.etsy.com/listing/91081404/eucalyptus-leaf-and-baeckea-blossom?ref=pr_shop
This is a collaborative effort that might only take place in today's world, considering that Kelly lives in Australia, 15 hours into my future! It's been such fun and we've become great friends.
Despite the miles, the oceans, the continents, and even the distance in our ages, we've accomplished something very satisfying to us both. We expect to collaborate more in the future and are thinking about what to do next.
Meanwhile, get to know Kelly and her work better by visiting and 'liking' her Facebook fan page:
https://www.facebook.com/#!/pages/Maille-Fantasy/106678809342
And her independent website is at this link:
http://www.maillefantasy.com.au/
And I'd love to have you visit and 'like' my Facebook fan page, too:
https://www.facebook.com/cityrustic.art
My Etsy shop can be reached by clicking on the link at the top of my blog!C
photography by Kelly Clitheroe & Tana McLane
In the summer/fall of 2011, Kelly Clitheroe and I bumped into each other on Facebook. We had metalsmith friends in common and we began to banter about smithing and math and all sorts of things. She tuned in on my Trapezoid series and I made an offhand comment about being no good at math. She took great umbrage at this comment and challenged me to see that I'm more capable at math than I give myself credit for. You see, she's also a math teacher. She also lives in Australia. And we've also never actually met each other face-to-face.
Nevertheless, we chatter online nearly every day. This is a wonderful phenomon of social networking. You find your tribe, your peeps, your kindred spirits. Those who 'get' what you're thinking about and what you create. And those who can support your creativity in unique ways.
In a competitive business world, metalsmiths help each other. We share technical and technological information. And we sometimes collaborate.
Kelly got this collaboration rolling when she asked if she could buy my handmade bronze and silver leaves to use in her own work.
I thought about this for about five minutes and realized I didn't want her to buy my leaves, but to use my leaves for a necklace that would bring both of our design ideas together in one piece that neither of us would have produced without the other.
This photo shows Kelly's original thinking about the design of the Bronze Eucalyptus Leaf/Baeckea Blossom necklace. The leaves in this mock-up were cut from colored paper. It reveals Kelly's ideas for an asymmetrical design that would also use large and small rings and maille-versions of the baeckea blossom to link the leaves together.
The long-leafed eucalyptus tree grows in Australia and in Tampa, Florida, my girlhood home! And the baeckea blossom is in the same family with eucalyptus. So the necklaces are not only a collaboration between two artists, but a joining of two homelands.
I was eager to see what another artist would do with my leaves. I've been entralled with Kelly's chainmaille design work. Her work offers originality and departures from typical maille design and has a sense of fun thrown in.
As I thought some more, I came up with the idea of fabricating enough leaves for two necklaces: one that she could keep and one that I'd get back. I'd make the leaves and pay for shipping to her. She'd construct the necklaces and pay for the shipping of one of them back to me. This is exactly what we have done.
This photo shows an organic baeckea blossom and the chain maille version. The living version is a 5-petal blossom, but Kelly chose to use a 6-petal maille version. She also chose to use rosy/bronzey-colored titanium jumprings mixed with sterling jumprings to suggest the color of the natural flower.
There are five bronze eucalyptus leaves in the necklace design, and four baeckea maille blossoms.
Closeup shot of Kelly's chain maille elements, depicting two baeckea blossoms and joining maille rings of different sizes.
The holiday season bore down upon us and both of us were busy making jewelry for holiday shopping. We sold online and in local markets. The fabrication of the bronze leaves had to wait until after Christmas, and then I got to work.
This is the eucalyptus leaf that both Kelly and I are familiar with. She found this on Wikipedia. When I was a child in Tampa, our large eucalyptus tree was my water dragon and I climbed all over it. I'd crush its leaves in my hands and smell that marvelous eucalyptus smell and pretend it was 'medicine' and that I could treat the ill and injured with.
Interestingly, the Tampa of my childhood had several trees in common with Australia. I grew up on Davis Islands in Tampa Bay and in my youth it was fringed with the Australian Pine. Sadly, these froze back permanently during the 1960s. We were also awash in 'Punk Trees,' which we now know as the maleluca, a troublesome invasive in the wrong environment. And then there is the beloved eucalyptus. We decided that the leaves in our necklaces should be shaped somewhat like this.
Here are the ten bronze leaves, cut out, sanded down, and annealed on my Solderite pad. Annealing is the process by which you heat metal with the flame of a torch (in my case, acetylene torch) just enough to soften the metal. I do this to make it easier to hand stamp designs into the surface of the metal. (Please excuse how messy my soldering station is in this photo... this was at the end of a very busy holiday production season!)
Bronze is a metal I added to my group of metals in 2011. Similar to copper and brass, it does behave little differently upon heating and finishing. I love its deep patina glow and its contrast with silver. Bronze is traditionally an alloy requiring 88% copper and 12% tin. During the Bronze Age, tin became hard to acquire and then iron became the more available industrial metal. Today, bronze for jewelers can be formulated at 80/20 or 90/10, as well as at 88/12.
Here are the ten finished bronze and sterling leaves! Two sets of five, each set's leaves have the same stamped surface pattern. One set's stampings are a little larger than the other's.
I used bold sterling wire to form the center vein in the leaves. This vein extends out beyond each end of the leaf, creating spirals which Kelly then uses for linking to maille jumprings.
The leaves have a beautiful bronzey patina glow from my torch and polishing. Then they were tumbled in steel shot to work-harden the sterling and to make all surfaces satiny-smooth.
Another closeup of chain maille elements in the necklaces. Jumprings, large and small, join the bronze leaves, dark freshwater pearl and baeckea blossom to one another.
I shipped the finished leaves to Australia and then Kelly began to construct the necklaces. This process seemed to go surprisingly fast, and within a short time she was posting photos of each necklace back to me.
Two finished necklaces! Kelly took this photo when they were complete. The design is revealed.
The necklaces close with my sterling spiral clasps, which you can see at the backs.
With minor differences from the mock-up, the asymmetrical compostion of the necklaces is maintained. Kelly added dark freshwater pearls. One dangles at the bottom of the lower leaves and the other is linked into the necklaces.
She also chose maille jumprings of various sizes. With the four baeckea blossoms and five eucalyptus leaves, a charming, eclectic effect is achieved.
A moment of sunshine peeked out on a gloomy day after my necklace arrived in the mail and I rushed outside with white paper, my camera and my necklace, to get this shot.
Kelly modelling one of the necklaces. Isn't it beautiful on her?
The drape of the necklace, despite of or because of its asymmetry is just so wonderful. Comfortable, too.
Baeckea blossoms of both necklaces in one shot. The single blossom at the top of the image has titanium jumprings of a pinker cast than the two at the bottom of the image, which are a warmer color. Slight differences between the two necklaces are the colors of the titanium, the hue of the dark pearls and the stamped patterns on the leaves.
One of the shots I used in my Etsy listing, on a contoured necklace display.
The listing in my online Etsy shop:
http://www.etsy.com/listing/91081404/eucalyptus-leaf-and-baeckea-blossom?ref=pr_shop
This is a collaborative effort that might only take place in today's world, considering that Kelly lives in Australia, 15 hours into my future! It's been such fun and we've become great friends.
Despite the miles, the oceans, the continents, and even the distance in our ages, we've accomplished something very satisfying to us both. We expect to collaborate more in the future and are thinking about what to do next.
Meanwhile, get to know Kelly and her work better by visiting and 'liking' her Facebook fan page:
https://www.facebook.com/#!/pages/Maille-Fantasy/106678809342
And her independent website is at this link:
http://www.maillefantasy.com.au/
And I'd love to have you visit and 'like' my Facebook fan page, too:
https://www.facebook.com/cityrustic.art
My Etsy shop can be reached by clicking on the link at the top of my blog!C
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