Sunday, March 25, 2012

An Interesting Thing Happened on the Way Home from the Art Show...




Most of you know I’ve spent the weekend in Jacksonville, participating in an art show there. On my way home this evening, I was starving and out of my diet’s foods and decided that plain scrambled eggs would suit me for dinner. Spotting a Waffle House in Maclenny, slightly west of Jax, I pulled in, eager for my first non-veggie meal in two weeks.


Always trepidatious around corporate franchises’ ability to deliver healthy foods, I just hoped for non-greasy, salt-free eggs and perhaps some tomato slices (instead of all the carbs/salt/fats/sugars and caffeine Waffle House is known for).



When I pulled into  the restaurant’s parking lot, I noticed the plumpest Harley Davidson rider I’ve ever seen, just dismounting his bike and gathering things together to go in. I parked and rummaged around for the Mrs. Dash and garlic powder I’ve begun carrying with me. An excellent, fool-the-tongue mixture of salt-free condiments, I carried them to the door with me. Whereupon I found, waiting there the Harley gentleman holding the door open for me. I thanked him and rushed in, eager to find a table and eat. Having just done an arduous 2-day show on my cleanse diet, I was very hungry (and very tired of the pre-cooked meals I’d carried to my hotel with me, and of the salads I’d subsisted on for two whole days in the show – along with great antioxidant drinks, of course).


The waitress picked up two sets of flatware and napkins, as if the gentleman and I were going to share a table. Very quietly, I said, “Just me, just one here.” And she said, “Okay,” and handed me my flatware and took his to him at his own table. I sat my condiments on the table and then realized that I’d created a stir throughout the place. “Joy,” I thought… “Just what I need, to cause myself weird, negative attention in a small town.”


My experience everywhere with Waffle House is that it’s a pretty harsh, sterile environment where patrons pay no attention to one another, and the wait staff pretty much mirrors that behavior. One can relax in one’s isolation and anonymity, eat a cheap meal, and be on one’s way.


I ordered just scrambled eggs and slices of fresh tomato and unsweetened iced tea, explaining briefly that I was on an odd no-salt thing and could have only that. I got no guff from the waitress, nor attempt to make me order bacon or grits or hashbrowns of waffles. Just sweet agreement. She took my order and went back to fetch the cook. A couple in the next booth turned around to stare at me. I looked back and they broke into smiles. I smiled back and looked down.


The cook, an older woman, came out to cook and looked at me and said, “You brought you own condiments.” “Yes,” I said. “I’m on a salt-free thing, and I have to do this.” Whereupon she smiled and said, “I understand.” I’ll use fresh oil and no salt in your eggs,” and turned to cook up the fluffiest scrambled eggs I’ve ever seen.


I thought, “Wow… she’s good enough for the Food Network.” Others dining there looked at me and smiled. I began to realize that, in Maclenny, the Waffle House is the go-to cafĂ© on a Sunday night, and that the patrons and staff all knew each other. I’d fallen into a local scene, where eveyone knew each other’s names and churches, and were very comfortable with each other. I realized I’d been behaving like the odd outsider, expecting no one to be interested in me – or to even realize that I was just passing through.


As I opened up to this awareness that I’d entered into a community scene that was sweet and friendly and respectful – and tolerant of tourists ignorant of this reality – I began to realize how much I’ve internalized a big-city behavior of ignoring others and expecting to be ignored. And realized how they had just the right tone. Nothing preachy. Nothing pushy. Just happiness and comfort in being together. A sense of acceptance and serenity I’ve rarely known.


My platter of eggs and tomatoes arrived and I sprinkled said condiments on them and devoured them. I kept thinking about how nurturing this all was to me. Good food, not too expensive, cooked competently and healthfully… good company all around me. Lovely wait staff of three women doing their jobs elegantly and well.


“Okay,” I thought. “I get it.” Like one of those angel stories, or “It’s a Wonderful Life,” or something like that. A little tap on my consciousness to wake up and be alive in this situation and understand something about receiving nurture, just because I need it. A magical moment in this busy life, where I rush headlong from one activity to the next. It felt like a lot of wonderful oxygen got pumped into the room.


And the reality that sometimes, in some places, things are just so very right and people are just living without the usual neuroses and conflict – or indifference.


The combination of good food and this undeniable social dynamic eased my tension and got me ready for the road. I realized my bill had arrived and that, for all of this, the charge was only $5.75!


I thought to myself, “You’re kidding me.” Excellent food and all of this ‘angelic’ energy? No way.


I dug a twenty-dollar bill from my purse and went to pay the cashier. She took my twenty and meticulously counted my change back to me, twice! I thanked her and caught the cook’s eye and told her those were terrific eggs and that I’d be back whenever I was in the area. She just smiled.



And then I took all my change (just under $15.00) and laid it on my table for a tip. I dashed into the bathroom and when I came back by my table, the money was still there. I smiled to myself and thought, “Good, they haven’t noticed. Let me get out of here…”


I walked to my car and got in. And rummaged for my eyeglasses for a moment. When I got them on, I realized the waitress was standing at my window, holding the money. I rolled my window down and said, “I did it intentionally. It’s for you and the others.” She said, “We were worried that you’d made a mistake and not realized you’d paid with a twenty.” I said I’d done it for them and for her to take the money and divide it however they wanted. She looked at me for a moment and I said, “You’ll never know what you all gave to me tonight, and this is the least that I can do.” She smiled and walked back in. As I drove away, the cook waved out the window to me and I saw them huddle together to divide the money, with great smiles on their faces.


While a $20.00 egg meal was so cheap to me, I felt like I got about a million dollars’ worth of value for my money. And it looked like getting about $5.00 each was making a difference in their day. My money came from the privilege I have, of doing what I love and getting paid for it sometimes. Sometimes well. And being able to share the wealth a little bit along the way. Whenever I’m feeling a poverty of spirit or in my life, I must remember this meal in this Waffle House, with those lovely workers and patrons. However whiney or beat-up I feel from my hard work, I must remember that there’s enough resource in the world and that it can come from unexpected places.

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I've illustrated this post with two new pieces I've made for my Etsy shop and spring art shows. The top one is my newest Trapezoid Necklace with copper and Imperial Jasper. The bottom piece is a trapezoid-shaped Charoite cabochon set onto textured bronze. You can learn more about then in my Etsy shop, by clicking my slide show link on the right.

Thursday, March 15, 2012

Behind the Music... er... the jewelry glamour shots!

I'm relatively new to photography, never having been a shutterbug before. I always relied on others to take the snapshot while I just enjoyed the view. But, when I opened my own Etsy shop and Facebook fan page about a year ago, I was suddenly thrust into a new world where taking competent product pics is an everyday norm.

At first I panicked and then I called my fomer business partner and best buddy, Sharri. She'd always taken the pics for the gallery when it was open.

Oh, I'd struggled through helping her, but was seriously frustrated with the process while she leapt ahead and became a great photographer.

So when my online shop opened, it was Sharri who took my first shots, just so I could open!

It was immediately obvious to both of us that this arrangement was unsustainable. An artist selling on Etsy had better figure out how to shoot product pics! So, off I went to the store to buy a camera as similar to the one Sharri owned as possible. (It had been the gallery's and so I had the teeniest working knowledge of how it, a Nikon CoolPix worked.)

I had no idea what I was doing when I bought it. Not what to look for. Not what I should pay. I did know I needed a pretty strong memory card and a tripod to go with it. But that's about it.

So I brought it home and struggled with it. I took truly horrible pics! And reconfirmed my theory that photography is a different art form than jewelry making, and better left to the photography artists who knew what they were doing, and counted on that for their living.

If only. Of course, a beginning Etsy artist has no budget for professional photography. Hence, the camera in my hand. So I leaned over the tripod and squinted into the EZ Light Cube and still took horrible shots.

Sharri was my best critic, always giving me hope and pulling me forward. As her own photography improved in leaps and bounds, she again took some shots of my work mixed with hers and I began to realize how wonderful my jewelry could look in pics online.

Her encouragement to move my work to a white background and to actually locate the 'white balance' in my camera brought my shots into a greater, happier focus. Her suggestion that I begin to shoot outside (more palatable in the winter than summer in north Florida!) was something I finally took seriously. And, voila!  Suddenly I was much more of a product photographer.

Working with my little camera, I began to gain the muscle memory that comes with getting familiar with a tool. I grew more daring and quit using the tripod most of the time. I reserved the Light Cube only for night or rainy day photos. I experimented with just laying my work on my computer desk to record the day's produce for my fan page.


My Etsy shop began to lighten up and grow more focused, my jewelry more magical looking. And this is a great thing, because my little business depends so much upon it!

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The top photo is the whole, uncropped pic I took knowing I would crop down to the pendant on the white necklace display. When I began to edit the photo, I found the whole image interesting and it inspired this blog post.

This was a moment in today's photo session, right outside my back door. The rusty old metal patio table has an interesting rust pattern as the paint crawls off of it yet again. The pretty metal/stone pendants look like dancers waiting in the wings for their moment in the spotlight. It's just such a vivid little moment captured unexpectedly!

The bottom photo is one taken by Sharri for our art show at Barbara Psimas' Midtown studio last December. It was the inspiration for me to finally get serious about this photography thing and take good shots. That's my Asian-influenced pendant standing in the background (sold to a wonderful customer in California last December!) and Sharri's memory wire bracelet featuring her renowned beaded beads. The props are wood beads she sells in her Etsy shop.

Sharri's shop on Etsy is called TheBeadedBead. You can find it here:  http://www.etsy.com/shop/TheBeadedBead?ref=ss_profile

She also has a fan page on Etsy: The Beaded Bead by Sharri Moroshok. See her work, and her wonderful photography in both locations!

Tuesday, March 13, 2012

Goin' green (on the inside, too!)...

Reaching the end of my 50s, I've reached a fork in the road. I can continue the too-busy/too-tired lifestyle I've had for a long time, or I can take the other fork and find my way to better health and vigor with which to greet my seventh(!!!!!!) decade. I turned 59 yesterday, and though I am young at heart and still experience great joie de vivre, my physical vehicle knows I'm no longer young and is rebelling a bit.

Recently, two very healthy friends reached age 60 and extreme things happened to their health. Who knows what treachery lies ahead? I'd come to feel it certainly would, if I failed to make some changes.



About a month ago, I dropped by a fellow local artist's studio/gallery to talk about doing some business. Always a pretty woman, I could not believe the sparkle-dazzle (and the weight loss) I saw on her.

Wondering if she'd had a super-spa holiday and perhaps some 'nip-tuck,' I was quickly informed that these were the results of a deep, intensive 'cleanse diet,' and that a new class was about to start.

Mentally quoting that famous line from 'When Harry Met Sally,' I muttered: "I want what she's having" to myself and decided I would plunge into the program and see what would happen to me.

The leader of the program held an in-take meeting a whole week before we were to begin the eating regime. This allowed me to take a quick business trip with my husband and to celebrate my birthday before radically altering what I am to eat and drink. But, the birthday is now behind me and Day One of the regime has arrived.

And, I'm happy to report, so far, I'm feeling great. I actually do like the beet/veggie soup I made in advance. And I actually like the 'green' antioxidant drink I sip on, too. I have great expectations that soon some weight will drop and my skin will be radiant. At the very least, I think I'll beat back some of those encroaching 'old people' problems that were knocking at my door.

If all goes well, this will be a great 60th year, before I actually turn 60. It's a personal New Year's for me. One filled with hope and resolution. One anticipating greater energy and concentration. And one in which, in a teeny-tiny way, I get to put myself first.

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Pictured above is my Owyhee and Bronze Pendant, which has been sold. But I love how it turned out and how photogenic it is. I'm busy making other stone and bronze/sterling pendants and as they are readied, they are available in my Etsy shop. Follow the slide show of my Etsy shop at the right side of my blog page to see everything there!

Saturday, March 3, 2012

Stormy day in north Florida and the Southeast U.S.

We have stormy weather all around us. A very dynamic storm system is lodged to the west and north of us, in a diagonal line that's drawing moisture from the Gulf into the storm. The good news for us is that while this is occurring, so far the system itself is staying to the west. If it begins to drift eastward, things will change here.

I'm keeping my fellow Southeasterners in my heart and prayers this day. The Weather Channel promises it will be a long one and that these storms will not be over soon. And am also keeping those in Kentucky and Indiana in my heart and prayers, too. For the worst has happened to some of them, already.

It's always interesting, when I fear that Dooms Day may be approaching my home, to figure out what things to take into our safe place. I grab critical papers, my laptop and cell phone, my dog's critical things, my pillows, some First Aid... and then I look at my collection of studio tools (the fruits and acquistions of my life's work, gained painfully sometimes -- and critical to the future of my jewelry career) and try to think of what is absolutely core to the survival of my jewelry making.



My entire pliers collection and wire cutters, favorite hammers, raw materials and finished jewelry. This time I grabbed my scrap pile, because the silver has value. With two art shows looming in the near future, I would not have time to rebuild my inventory, should I lose my working studio.

This is when I get in touch with how tools and materials are the future for me. Insurance on the house would cover everything else, should it be lost. But my studio, since it's not specially insured, would not be. And this is also when I'm reminded that I need to scan in old family and childhood photos and store them in 'the cloud.' (If ever I didn't feel too busy...)



But mosty I get in touch with the treachery of stormy weather in this region and how vulnerable we and our materials things are.


Photo of Glen and me on the Blue Ridge Parkway in North  Carolina, in the mid 1990s! One of the few pics I've scanned in so far.

Tuesday, February 21, 2012

Since I last posted, I've acquired a rolling mill. I've been experimenting with it and letting it lead me into new textures and new directions. My first efforts with it are pretty simple... you might say minimalist.

Here's a sample of this new work: Minimalist Textured Earrings in bronze. Their subtle mesh texture is almost too fine to see in a photo, but their heat patina is vivid.

They are soldered to their handmade sterling earwires via spiral swirls at the end of the wires.

And they are asymmetrical, but complementary and balanced.


I was so happy to find these earrings featured in a beautiful jewelry blog called Silver Lines Jewelry, whose editor lives in Greece. Despite these tumultous times, Jenny produces her own beautiful jewelry, many Etsy treasuries, and her own blog. She is also a knitter.

To read her blog, please go to this link:
http://silverlinesjewelry.blogspot.com/2012/02/wish-list-rustic-finds.html


And to see more details about these, please visit them in my Etsy shop:
http://www.etsy.com/listing/93448824/asymmetrical-minimalist-leaf-earrings-in 

Monday, January 23, 2012

Two Extraordinary Necklaces Are Born: A Collaboration with Kelly Clitheroe and Me...

written by Tana McLane
photography by Kelly Clitheroe & Tana McLane


In the summer/fall of 2011, Kelly Clitheroe and I bumped into each other on Facebook. We had metalsmith friends in common and we began to banter about smithing and math and all sorts of things. She tuned in on my Trapezoid series and I made an offhand comment about being no good at math. She took great umbrage at this comment and challenged me to see that I'm more capable at math than I give myself credit for. You see, she's also a math teacher. She also lives in Australia. And we've also never actually met each other face-to-face.

Nevertheless, we chatter online nearly every day. This is a wonderful phenomon of social networking. You find your tribe, your peeps, your kindred spirits. Those who 'get' what you're thinking about and what you create. And those who can support your creativity in unique ways.

In a competitive business world, metalsmiths help each other. We share technical and technological information. And we sometimes collaborate.

Kelly got this collaboration rolling when she asked if she could buy my handmade bronze and silver leaves to use in her own work.

I thought about this for about five minutes and realized I didn't want her to buy my leaves, but to use my leaves for a necklace that would bring both of our design ideas together in one piece that neither of us would have produced without the other.


This photo shows Kelly's original thinking about the design of the Bronze Eucalyptus Leaf/Baeckea Blossom necklace. The leaves in this mock-up were cut from colored paper. It reveals Kelly's ideas for an asymmetrical design that would also use large and small rings and maille-versions of the baeckea blossom to link the leaves together.

The long-leafed eucalyptus tree grows in Australia and in Tampa, Florida, my girlhood home! And the baeckea blossom is in the same family with eucalyptus. So the necklaces are not only a collaboration between two artists, but a joining of two homelands.


I was eager to see what another artist would do with my leaves. I've been entralled with Kelly's chainmaille design work. Her work offers originality and departures from typical maille design and has a sense of fun thrown in.

As I thought some more, I came up with the idea of fabricating enough leaves for two necklaces: one that she could keep and one that I'd get back. I'd make the leaves and pay for shipping to her. She'd construct the necklaces and pay for the shipping of one of them back to me. This is exactly what we have done.



This photo shows an organic baeckea blossom and the chain maille version. The living version is a 5-petal blossom, but Kelly chose to use a 6-petal maille version. She also chose to use  rosy/bronzey-colored titanium jumprings mixed with sterling jumprings to suggest the color of the natural flower.



There are five bronze eucalyptus leaves in the necklace design, and four baeckea maille blossoms.



Closeup shot of Kelly's chain maille elements, depicting two baeckea blossoms and joining maille rings of different sizes.






The holiday season bore down upon us and both of us were busy making jewelry for holiday shopping. We sold online and in local markets. The fabrication of the bronze leaves had to wait until after Christmas, and then I got to work.


This is the eucalyptus leaf that both Kelly and I are familiar with. She found this on Wikipedia. When I was a child in Tampa, our large eucalyptus tree was my water dragon and I climbed all over it. I'd crush its leaves in my hands and smell that marvelous eucalyptus smell and pretend it was 'medicine' and that I could treat the ill and injured with.

Interestingly, the Tampa of my childhood had several trees in common with Australia. I grew up on Davis Islands in Tampa Bay and in my youth it was fringed with the Australian Pine. Sadly, these froze back permanently during the 1960s. We were also awash in 'Punk Trees,' which we now know as the maleluca, a troublesome invasive in the wrong environment. And then there is the beloved eucalyptus. We decided that the leaves in our necklaces should be shaped somewhat like this.

Here are the ten bronze leaves, cut out, sanded down, and annealed on my Solderite pad. Annealing is the process by which you heat metal with the flame of a torch (in my case, acetylene torch) just enough to soften the metal. I do this to make it easier to hand stamp designs into the surface of the metal. (Please excuse how messy my soldering station is in this photo... this was at the end of a very busy holiday production season!)




Bronze is a metal I added to my group of metals in 2011. Similar to copper and brass, it does behave little differently upon heating and finishing. I love its deep patina glow and its contrast with silver. Bronze is traditionally an alloy requiring 88% copper and 12% tin. During the Bronze Age, tin became hard to acquire and then iron became the more available industrial metal. Today, bronze for jewelers can be formulated at 80/20 or 90/10, as well as at 88/12.

Here are the ten finished bronze and sterling leaves! Two sets of five, each set's leaves have the same stamped surface pattern. One set's stampings are a little larger than the other's.

I used bold sterling wire to form the center vein in the leaves. This vein extends out beyond each end of the leaf, creating spirals which Kelly then uses for linking to maille jumprings.

The leaves have a beautiful bronzey patina glow from my torch and polishing. Then they were tumbled in steel shot to work-harden the sterling and to make all surfaces satiny-smooth.





Another closeup of chain maille elements in the necklaces. Jumprings, large and small, join the bronze leaves, dark freshwater pearl and baeckea blossom to one another.









I shipped the finished leaves to Australia and then Kelly began to construct the necklaces. This process seemed to go surprisingly fast, and within a short time she was posting photos of each necklace back to me.

Two finished necklaces! Kelly took this photo when they were complete. The design is revealed.

The necklaces close with my sterling spiral clasps, which you can see at the backs.

With minor differences from the mock-up, the asymmetrical compostion of the necklaces is maintained. Kelly added dark freshwater pearls. One dangles at the bottom of the lower leaves and the other is linked into the necklaces.

She also chose maille jumprings of various sizes. With the four baeckea blossoms and five eucalyptus leaves, a charming, eclectic effect is achieved.





A moment of sunshine peeked out on a gloomy day after my necklace arrived in the mail and I rushed outside with white paper, my camera and my necklace, to get this shot.










Kelly modelling one of the necklaces. Isn't it beautiful on her?

The drape of the necklace, despite of or because of its asymmetry is just so wonderful. Comfortable, too.







Baeckea blossoms of both necklaces in one shot. The single blossom at the top of the image has titanium jumprings of a pinker cast than the two at the bottom of the image, which are a warmer color. Slight differences between the two necklaces are the colors of the titanium, the hue of the dark pearls and the stamped patterns on the leaves.






One of the shots I used in my Etsy listing, on a contoured necklace display.


The listing in my online Etsy shop:

http://www.etsy.com/listing/91081404/eucalyptus-leaf-and-baeckea-blossom?ref=pr_shop


This is a collaborative effort that might only take place in today's world, considering that Kelly lives in Australia, 15 hours into my future! It's been such fun and we've become great friends.

Despite the miles, the oceans, the continents, and even the distance in our ages, we've accomplished something very satisfying to us both. We expect to collaborate more in the future and are thinking about what to do next.

Meanwhile, get to know Kelly and her work better by visiting and 'liking' her Facebook fan page:
https://www.facebook.com/#!/pages/Maille-Fantasy/106678809342

And her independent website is at this link:
http://www.maillefantasy.com.au/

And I'd love to have you visit and 'like' my Facebook fan page, too:
https://www.facebook.com/cityrustic.art

My Etsy shop can be reached by clicking on the link at the top of my blog!C

Thursday, January 5, 2012

January Dreaming...



I'm still on vacation this week, but have been looking over some of the produce of 2011, my first year back as a full-time metalsmith, running my own small art jewelry business again.

I like what I see. I also see what I'll start to do differently. I am playful. My work is playful. I want my pics and my Etsy shop to be more playful. So I will work on this!

I was uber-busy all during the holidays, right up until the night of New Year's Day. And then we went to Savannah, on vacation. This is a funny week to come home to, because I'll be bouncing right out again.

This weekend I'll go to Orlando to supply my business with raw materials. And next week I'll work in my studio on new designs and on taxes.




I see others surging ahead, getting a quick start on the year. Not me. I'm still in a state I call 'January Dreaming.'

Long ago, I approached a very important gallery in my life about this time of year. I spoke with a wonderful, knowledgeable employee of the gallery who completely understood how burned out a working artist is right about now. She gave me permission to feel this way and to drift awhile. She gave me every assurance that my brain would re-knit and that I'd get it back together before too long, and be the stronger for it.

She's been right, again and again. And this gives me the confidence to drift in no particular direction. For awhile.





Looking up from the workbench to get a view of the rest of the world overcomes all of those hours and days when I kept my nose to the grindstone.

A fresh air blows through my head, sweeping out the cobwebs. And I begin to dream forward and to imagine what I want to create next.

So, a few more days of drifting... of seeing which way the river is truly flowing... is in order. But, I'll be back.










These four pics are of pieces I created in 2011. That was the year I closed my brick and mortar gallery and began to restructure my work life and design life. Now I look forward to what my creative life in 2012 will bring... right after I get past this next little bit of time!